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  <a href="/the-rob-zuzin-weblog/blog/3120158/circles">CIRCLES</a>&nbsp;
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  <div class="message"><p>  <span class="font_large">The Origin and Meaning of</span> <span class="font_xl"><em>CIRCLES</em></span><br><br><img src="//images.zoogletools.com/u/128536/897db3417ef9dc92a55d518534664dee037fe42d/original/2.jpg?1452745002" class="size_l justify_center border_" /><br><br><em>Circles</em> is one of my latest compositions featured in the 2016 release, Platforms.  I began writing it a little over a hundred years after the music that inspired it was completed.<br><br>“<em>Will The Circle Be Unbroken</em>?” was written in 1907 by Ada R. Habershon and Charles H. Gabriel.  I know this because I looked it up on Wikipedia.  The five verses support the sentiments of the familiar chorus featured in the  Carl Perkins song, “<em>Daddy Sang Bass</em>,”  which later had its popularity furthered as a cover by Johnny Cash.  Ada’s lyrics elaborate on the sadness of losing a family member and the joy of being reunited again just like old times.  Good stuff.  So is the melody.  Through the chorus, the pitches stick to a pentatonic framework that doesn’t stray beyond an octave.  This makes it a great piece to study when learning the guitar, and I often suggest it to those that study the instrument with me.  I came up with an accompaniment for the melody that makes it easier to keep track of the beat over sustained notes.   <br>  <br>This accompaniment features a driving pulse of quarter notes.  It got stuck in my head one day, and I wrote a song around it.  “<em>Will The Circle</em>…” contrasts the differences between an earthbound and heavenly existence.  These two conditions came through in my composition, though it feels completely coincidental now.  There are two main arguments in <em>Circles </em>: first, the driving rhythm based on the arrangement for my students with a very short quote of the melody that appears in the original.  This is set against two chords a semitone apart creating a tight, earthbound intensity.  A brighter section in E Major (the holiest of guitar chords) follows, where the melody responds to the earlier compact pentatonic phrase with big intervals.  The reprise of this section leads to a climb up the fretboard where the melody is transposed to the highest usable register of the guitar.   <br>  <br>I didn’t put this much thought into the piece when I was writing it, but the original song and it’s meaning was on my mind.  I kept the meaning in the title as well: Circles.   <br>  <br>                                                                Composing is like life: Sometimes you’re  <br>                                                           free to do what you want, sometimes you’re not. <br>  <br>When I write music, it’s fun to let the notes tell you what should come next.  In my own way, that is me doing what I want.  Build on what you have already done and the composition will make sense.  I decide which elements are important to explore and let the possibilities of what I’ve already written as well as the instrument I’m writing for enter into the creative process as much as I am willing to let them.  On the other hand, there are times when I like to write from an idea.  I stress the word idea, not script.  Never a script.  I don’t want the orchestra to tell me that at this moment, the hero is in doubt and there was just a crash of lightning.  An idea or concept, though, can shape what you are writing.  It tells you what to do.  Compositions are strengthened by the focus on the extra-musical inspiration.   <br>  <br>That’s what happened with Circles.  The concept of the original drove my subconscious while I fleshed out an inspired rhythm.  </p></div>
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    <p class="post-info"><span data-time="2016-01-18T22:15:25-05:00" title="January 18, 2016 22:15">01/18/2016</span></p>

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  <p class="post-info">in <a href="/latest-news/blog/blog_categories/17530">Platforms</a></p>
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  <a href="/the-rob-zuzin-weblog/blog/3987904/platforms">PLATFORMS</a>&nbsp;
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  <div class="message"><span class="font_regular">The next recording:  <em>Platforms</em></span><br><span class="font_xl"><em><img src="//images.zoogletools.com/u/128536/dd52d66482c47a67cb2927eee3d5171134ca7aa4/original/1.jpg?1452742402" class="size_l justify_center border_" /></em></span>
<p>My last record, On Steel Strings A Tribute To ABBA, was a lot of fun to record and promote.  I’ve met a lot of great people throughout the entire process that I may not have otherwise.  It was also through this record that I came to truly appreciate what it is to have an international audience.  On Steel Strings was my first tribute album, which can be an exciting prospect when you consider that each note of the performance will be heard against the backdrop of the original as well as for its own sake.  I was always glad to hear from fans of the super group’s music that enjoyed my interpretations of the iconic songs. <br>  <br>Long before I released the ABBA tribute CD, ideas began to pile up for the next effort.  It always happens that way.  This can be a distraction from the current project, especially when the time comes to promote it, but it’s nice to have something to get going on right away once the last one is done.  The next record is called Platforms.  I had this title and a concept for the music in mind since late 2006.  The focus has changed a little since then, but the title remained.   <br>  <br>Platforms is a collection of instrumental songs for acoustic guitar performed using a technique called hybrid picking.  This combines the use of a plectrum, or pick, and a finger style approach with the remaining fingers.  Typically, guitarists use one style or the other, but certain styles and stylists are distinguished by this type of playing. It is often found in jazz and country music, and less so in rock or blues.  Using a pick exclusively has the benefit of fast single note attacks and sustained rhythmic strumming.  Finger style technique allows for more counterpoint, or multiple simultaneous independent melodies and rhythms.  You get the best of both worlds when they are combined in the hybrid approach.  The songs for Platforms were written not only to exploit the elements of this style, but also were shaped by the possibilities that it presented.    <br>  <br>The above photo is the mixing desk operated by the esteemed recording engineer Rich Isaac.  His talents made On Steel Strings sound incredible.  I have very often asked him to do the impossible with my recordings only to later request that he change it back or try something else.  He still agrees to work with me!   <br>  <br>I have also selected a photo for the album art that was taken by the brilliant photographer Dorret Oosterhoff.  She handled the task of making my mug presentable for the last release. <br>  <br>As the release date for Platforms nears, I’ll be letting everyone know where it’s available, though initially, it will be sold exclusively here through the website. I will also be releasing the sheet music for some of the songs for guitarists who want to play along. <br>  <br>The sheet music for these selected songs will be available to anyone who wants to learn to play them… <br>  <br>…FOR FREE! <br>  <br>Once the recordings have been mixed and mastered, I will put these sheet music scores along with the audio on YouTube and link to them through my website’s VIDEO tab.   <br>  <br>A bound manuscript of the sheet music for all the music in Platforms will also be available through the website in addition to the audio recording.  <br>  <br>Song selection is an important part of the recording process.  Artists typically record several songs that don’t get released just as actors perform in scenes that don’t always make the final cut of a movie.  For musicians, it’s nice to have an abundance of material in the formative stages of a recording even after you have committed to the studio timeline.  For Platforms, I composed fourteen songs and it looks like the final record will contain 8 or 9 tracks. <br>  <br>These two will make the cut: <br>  <br>Momentum.  This piece has become a staple at my live performances due to its rhythmic drive and catchy syncopation.  The technical aspects don’t overwhelm the intriguing 3 note melody that is the center of the action and phrases are punctuated with chord stabs that add contrast to the galloping bass rhythm.   <br>  <br>On Snow, On Winter.  A song about the possibilities of a new beginning.  This song could easily be performed using the finger style technique, but the attack of the pick on the basses adds some urgency to the melody on the high string while both are punctuated by the inner voices.  The “waterfall” lick at the beginning is a nice flavor for solo acoustic music.  I’m glad it found a home here. <br>  <br>…you can currently watch a video recording of these two songs at this website under the <a contents="VIDEO " data-link-label="Videos" data-link-type="page" href="/videos" target="_blank">VIDEO </a>tab. <br>  <br>…I will add more song details in the weeks leading up to the release.   <br>  <br> </p></div>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/the-rob-zuzin-weblog/blog/3630024/the-international-abba-fan-club-abba-intermezzo">The international ABBA fan club, ABBA INTERMEZZO</a>&nbsp;
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  <div class="message">Our friends at ABBA Intermezzo, the international ABBA fan club has shared a note about the album: On Steel Strings...<br><br><span class="font_regular"><em><font face="arial, helvetica, verdana">"Baltimore based guitarist Rob Zuzin has released his CD "On Steel Strings: A Tribute To ABBA", available on CDBABY &amp; Itunes. "On Steel Strings" is an interpretation of some of the most loved ABBA songs performed in the most organic setting: unaccompanied steel string guitar..."</font></em></span><br><br>You can see the full posting at http://www.abba-intermezzo.de/ehome.htm<br><br>They also let us know that we can look forward to a write up in the next quarterly newsletter.  Thanks, ABBA INTERMEZZO!!!<br><br> </div>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/the-rob-zuzin-weblog/blog/3577607/on-steel-strings-album-review">On Steel Strings Album Review</a>&nbsp;
</h2>

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  <div class="message"><span class="font_regular">Album Review by <strong>Jukka Tolppi</strong>, blogger, photographer, and artist from Finland. </span><br><img src="//images.zoogletools.com/u/128536/7f634fd93ea0c6ea35d5ec5619d694901929bea4/large/dsc-0213.jpg?1396480990" class="size_l justify_center border_" /><br><span class="font_regular">“The tribute album is made with love for the music, no matter labels; pop, rock, blues…this is ABBA music with no frills. Since ABBA as a group is no longer active this is the perfect choice for those who were left waiting for more. A new perspective to some of the greatest music of our time by an outstanding guitarist.  <strong>Rob Zuzin´s On Steel Strings: A Tribute to ABBA</strong> is a masterpiece featuring eight of ABBA´s classical songs.”<br> <br>You can read the full review in addition to other posts at his website, <a href="https://arcticmelancholy.wordpress.com/2015/03/03/rob-zuzin-on-steel-strings-a-tribute-to-abba/">https://arcticmelancholy.wordpress.com/2015/03/03/rob-zuzin-on-steel-strings-a-tribute-to-abba/</a></span><br> </div>
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    <p class="post-info"><span data-time="2015-03-05T13:48:55-05:00" title="March 05, 2015 13:48">03/05/2015</span></p>

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  <a href="/the-rob-zuzin-weblog/blog/3551278/so-why-abba">So...why ABBA?</a>&nbsp;
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  <div class="message">I get asked this question a lot.  My career in music rarely takes me in the direction of pop music and most that know me were initially surprised by the subject matter of my most recent release, On Steel Strings A Tribute To ABBA.  Typically, I can be found performing rock, classic rock, and some blues.  Sometimes a little bit of Jazz, Country, and Americana.  Because of this, I wasn’t surprised when someone would ask with a bit of a puzzled look, “So, why ABBA?”  In my mind, though, I felt that my music covered so many bases that it wasn’t much of a stretch to go one more. <br> <br>ABBA’s music was all over the place when I was young in the late 1970’s.  For me, at that age, I didn’t think of the music as dance or disco backdrop.  I think I liked the production of the recordings.  I know I liked the songs!<br> <br>Twenty five years later, I set out to arrange one of those songs for unaccompanied acoustic guitar.  No singing, no other instruments, just six strings and the music.  The arrangements for several other songs quickly followed.  Along the way, the idea to release an album of these songs seemed to make sense.  I considered just about every one of the band’s most popular recordings and several lesser-known titles for arrangements and narrowed my choice to the final eight songs that were included.<br> <br>It was a fun challenge to create these arrangements.  I didn’t want the songs to be overshadowed with too much dense or speedy guitar playing, but I also wanted to be sure they were musically interesting especially considering the absence of the lyrics.  Fortunately, the songs were so well crafted originally that neither was really a concern, though I did allow for a few occasions to “step out” and stretch the music a bit for the guitar’s sake.<br> <br>The guitar is the star of the recording, but the songs make that possible.<br> </div>
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    <p class="post-info"><span data-time="2015-02-23T13:14:47-05:00" title="February 23, 2015 13:14">02/23/2015</span></p>

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  <a href="/the-rob-zuzin-weblog/blog/3442262/in-the-news">In The News!!!</a>&nbsp;
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  <div class="message">The latest release, <em>On Steel Strings A Tribute To ABBA, </em>has gone international thanks to a kind review from our new friends at the German website abba.de.  Since the review, folks have checked out the recording from Berlin, Moscow, Munich, Hamburg, Luxemburg, Tel Aviv, Bucharest, and many other cities around the world.  Thanks again to the publishers of the website.  It was an honor to be included.<br> </div>
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    <p class="post-info"><span data-time="2014-12-27T20:59:29-05:00" title="December 27, 2014 20:59">12/27/2014</span></p>

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  <a href="/the-rob-zuzin-weblog/blog/3391510/sold-leadbetter-s-tavern">Sold!: Leadbetter&#39;s Tavern</a>&nbsp;
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  <div class="message">As you make your way down the busy cobblestone streets near the water in Fell’s Point, the only thing that stands between you and your favorite watering hole is a place to park.  You are just about to give up your search on the busy city streets and head toward the welcoming glow of the pay garage.  Along the way, you see your destination.  Leadbetter’s Tavern.  You peek through the line of parked cars and pedestrians to see who the performer will be on the dry erase marquee that hangs on the front door.  Suddenly you notice a space becoming available.  You smile a little to yourself when you are fortunate enough to get one of those nearby spots. <br><br>“Live Music EFN.”  This phrase was printed on the promotional matches that were available at the bar.  Every night of the week since I have been going, live music was scheduled.  The environment for the musician playing at Leadbetter’s is unique when compared to most other venues in the area.  Performers stand right next to the front door.  Patrons must be careful not to bump into them when entering.  Sometimes they do.  There is no demarcation between the performer and the audience.  The only thing between you and 80-90 well lubricated fun loving partygoers is your microphone stand.  On busy nights, you do your best as a performer to keep the party going by reading the room and adjusting your song selection and banter as needed.  When it’s slow, especially on weeknights, the room can be a laboratory where you are free to take some chances with your music.  It is an opportunity to try something unproven, or play a request that you’ve never tried before.  I once invited a bagpipe player to sit in on one of those nights.  Usually, you know half the people in the bar, and many are happy to help you overcome any insecurity you might have in these moments with a shot of liquid courage. <br><br>I have met many other musicians through my performances at this bar.  We would all stop in when nearby to see who was playing.  We would inspire each other; push each other to try something new, share experiences, ideas, and encouragement.  I have met thousands of people at my performances there.  I have made hundreds of friends.  Many come and go.  Some, like my wife, stick around.  I met her there in 2001.<br><br>I was sharing some of these memories with a friend at my performance last Saturday night.  I recalled how when I discovered the bar for myself in the late 1990’s how much I wanted to play there.  I had been performing at nearby venues for a few years, but this place was different.  There was a magic about it.  I consider myself fortunate to have had the opportunity to play there hundreds of times over the past fifteen years.<br><br>The bar has been a second home for me and many others over the years, so naturally there was a lot of concern when news of the bar’s sale spread.  We all know what a special place this has been and wonder if that legacy will continue.  Truth is, we don’t know what the new ownership intends to do right now.  Change always brings questions, uncertainty, and dare I say, optimism.  Will it be the same old Leadbetter’s?  All of this remains to be seen at this point.  To the new owners, I wish them well.  They are taking the reins of an establishment cherished by thousands.  To Mr. Cooper, the former owner, thanks for all the great memories that you had a part in making possible.  All the best as you move on from here.<br> </div>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/the-rob-zuzin-weblog/blog/2790242/thanks-to-my-wonderful-photographer-dorret">Thanks to my wonderful photographer, Dorret</a>&nbsp;
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  <div class="message">In preparation for the latest album and media campaign, I had the joy of working with the very talented Baltimore photographer Dorret. She is a skillful artist who was not only able to capture some fine shots of my mug but make it a great time through the many poses and locations. It was a privilege to know and work with her.<br><br>She even came out to the CD release and took a few photos.  They are now up in the gallery.<br><br>Check out the rest of her work at<a contents=" www.dorret.com" data-link-label="" data-link-type="url" href="http://www.dorret.com"> www.dorret.com</a>.<br><br>-Rob<br> </div>
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    <p class="post-info"><span data-time="2014-04-12T22:05:14-04:00" title="April 12, 2014 22:05">04/12/2014</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/the-rob-zuzin-weblog/blog/2839930/on-steel-strings-has-arrived">On Steel Strings has arrived!</a>&nbsp;
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  <div class="message"><img src="//images.zoogletools.com/u/128536/7f634fd93ea0c6ea35d5ec5619d694901929bea4/medium/dsc-0213.jpg?1396480990" class="size_m justify_right border_" />The new CD is ready!  The first official CD release event will be at <a contents="Leadbetter's Tavern" data-link-label="" data-link-type="url" href="http://www.leadbetterstavern.com/">Leadbetter's Tavern</a> this Saturday, 9:30 until 1:30.<br><br>We will keep you posted when they become available online, which should be soon.</div>
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    <p class="post-info"><span data-time="2014-04-02T19:58:30-04:00" title="April 02, 2014 19:58">04/02/2014</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/the-rob-zuzin-weblog/blog/2383540/it-s-official-new-release-in-april">It&#39;s official...New Release in April!</a>&nbsp;
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  <div class="message"><strong><em><span class="font_large">On Steel Strings<span class="font_regular"> <span class="font_small">A Tribute to ABBA </span></span></span></em></strong><span class="font_regular"><span class="font_large">to be released in April!  </span><br><br>Rob's newest recording features ABBA's greatest hits arranged for solo acoustic guitar.  These enduring classics are given new treatment in this organic setting which maintains the craftsmanship of the original compositions in a way that fans of acoustic guitar music will love.  Songs like <em>Chiquitita</em> and <em>Knowing Me, Knowing You </em></span>with their memorable melodies will take you back in time.  You have never experienced ABBA's music this way.<br><br>Check out the preview of<em> Summer Night City</em>.<br><br>CD available for sale at all April performances!</div>
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    <p class="post-info"><span data-time="2014-03-25T11:58:11-04:00" title="March 25, 2014 11:58">03/25/2014</span></p>

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